The Rosy Cross: A Footnote.
“Do what thou wilt shall be the whole
of the Law.”
I am a microcosm, or the pentagram. My aim is to unite with the macrocosm,
or the hexagram. This is a tough enquiry: Which one of the symbols best
reflects this union? The allegory of the royal wedding is certainly worth
considering, as well as the hexagram. But for me it is the Light of the Cross,
the L.V.X. and of course L.V.X. formulates the Rosy Cross. I am the microcosm,
and the world is the macrocosm, however, so is the infinity of space and all of
its galaxies, planets and stars. Once a magician has perfected his elemental
structure, his Soul is raised in a vertical line to unite with his angel and
this raising of his Soul seems to be active as well as passive in nature, and the
attainment is determined by the readiness of a magician, thus the ascent
depends on Grace. Although this Grace is only attained via the agency of
devotion, this inference is simply made from my understanding of the nature of the Sacred Magic of
Abramelin the Mage. The Grace is the Dove, the Shekinah and the most accurate
term for its attainment is Agape. Hence, we now have the vertical line of the
cross, with the Shekinah flooding the Soul of the magician and Agape is evoked
in the heart of the aspirant. Agape then becomes active as Thelema or simply
Will and symbolized by the Serpent which from its uncoiling Hadit expands horizontally into the world
around him as well as vertically. The vertical expansion relates to his
devotion and that which has led him to this, the horizontal expansion is associated
with the world and is less personal, wherefrom union is attained with the
totality of nature and is not particularly associated with the work and
devotion of the magician. From my understanding then, there is a type of
necessity generated through this dealing with the divine that leaves the
aspirant grasping, so to speak, which is probably a bad way of saying it, but
anyway, a grasping for closeness with the world and those around him, as for
the first time he perhaps feels truly alone. As far as I can tell, this is the
way in which the Rosy Cross is formulated and union between the microcosm and
the macrocosm is attained. Once union is attained there is a separation again as Hadit contracts to formulate the Rose, the Rose is Nuit, and the Cross is Hadit. Once the symbol has been formulated, the Rose starts to expand again, thus linking the Cross to itself to maintain their connection. The union must then be the symbol of the Rose with
22 petals in the centre of the cross, as symbolic of Nuit and Hadit attributed to the heart and Love, thus completing the symbol that is
suggestive of the Great Work.
So, once the pentagram is animated by
the Shekinah it becomes the Christ, so to speak, hence the formula, yod-he-shin-vau-he,
which is a symbol of the union presented in this essay. Another important point
to remember and is depicted memorably vivid in the allegory of Jesus’
crucifixion, is that an adept will need to experience death in order to be
reborn. This could be hinting at the horizontal expansion of the Cross of Light.
As stated earlier, this union is not sought but forced as the result of the
Shekinah’s influence. In other words, one will need to survive hell before
being reborn as Osiris or the Christ. What is indicated, I believe is the
marriage, the Royal Wedding, between Heaven and Earth, but more along the lines
of the royal marriage between an adept and the universe, and here noting the world’s
immediacy. It is worth pointing out that in Orphic theology the Shekinah is
both Juno and Vesta, Juno who is the world and Vesta symbolic of Spirit or the
Shekinah proper as we understand it. Thus, they represent the horizontal and
vertical lines and the relationship, which is reestablished, forming an
important part of the ordeal. Vesta is the closest link to Rhea, who is Babalon
above the Abyss and Vesta is accordingly Babalon below the Abyss, ergo Juno is
Babalon on Earth or in Malkuth below Tiphareth. And they are all manifestations
of Nuit to whom we must dedicate our devotion. Rhea is associated with the
Forms of Platonism, Vesta forms our link to these via her being associated with
our unique relationship to the Forms, thus she is the feminine embodiment of
one's ideal of perfection. Since Vesta is associated with that which one pledges
his devotion, and logically, she is the easiest to fully unite with, however
for the ego to regain balance and to fully realize the Great Work, it must
reestablish its relationship with Juno. Hence, the reestablishment or refiguration of self is
the ordeal of hell, depicted in the fable of Jesus, before he was reborn to
prove his godliness, he had to forego heaven and went to hell for three days.
Please excuse these Christian allegories, they just seem to be the easiest way
to make sense of what the symbols mean? The symbols here are the formula of
I.A.O., L.V.X. and the Rosy Cross, and from this Agape finds its place in the
formula.
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